Review Of The Tourist Movie 2010
Review Of The Tourist Movie 2010
Alex Gibney, who took home an Oscar for the 2007 documentary "Taxi to the Dark Side," struggles to get his arms around the amorphous, appalling and yet shockingly banal schemes of Abramoff in "Casino Jack and the United States of Money." Not to be confused with George Hickenlooper's fictional treatment of the same scandals (starring Kevin Spacey) scheduled for release later this year, Gibney's documentary strains to make sense of the minutiae without losing the audience's attention over its formidable, two-hour length.
Fact may be stranger than fiction, but Gibney's account comes to life only when Abramoff's bankrupt soul is revealed in strokes bold enough for satire. His e-mails, bursting with contempt for his own clients, are some of the best material in the film. And there are other golden moments, though many of them are already familiar: When we learn he committed to Orthodox Judaism after seeing "Fiddler on the Roof," that his Pennsylvania Avenue restaurant Signatures offered "liberal portions in a conservative setting," that one of his large and important-sounding front organizations was headed by a Rehoboth Beach lifeguard who charmingly confesses, "I'm not qualified to run a Baskin-Robbins."
But Gibney's efforts at a larger narrative are problematic, in part because it seems that Abramoff, who is scheduled to be released from federal prison in December, was a nasty, cynical, devious lowlife right from the start. There was no Lady Macbeth whispering in impressionable Jack's ear, no road paved with good intentions, no Rake's Progress. He rose quickly in college Republican circles, forged a powerful nexus with Christian conservative Ralph Reed and anti-tax campaigner Grover Norquist, and then started cashing in once Republicans came into congressional power with the 1994 elections. Close ties to former House majority leader Tom DeLay, other top Republicans (and a handful of Democrats) in Congress, plus Bush administration officials helped Abramoff form one of the most powerful networks ever to warp the ways of democracy.
Gibney's larger thesis -- that Abramoff wasn't exceptional, but rather a manifestation of an openly acknowledged alliance between moneyed interests and elected officials -- undermines his efforts to build outrage. This is the new normal, and there's DeLay all but saying (without a hint of shame) what should sound outrageous: that if public officials are bought openly and transparently, well, what's wrong with that? Isn't that capitalism?
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