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"Fallout: New Vegas" is Bethesda Softworks' sequel to their last post-apocalyptic role-playing shooter, "Fallout 3."
Set in the year 2281, 200 years after the Great War in which every nation capable of nuclear power launched their stockpile of atomic bombs, "Fallout" takes place in an irradiated America where the culture never developed past the 1950's. As such, technology and art were created as how the people of the time envisioned it, with atomic powered cars and laser pistols wielded by greasers listening to Bob Crosby.
Rather than a direct sequel, the series changes locations to focus on the west coast, in the deserts surrounding Las Vegas. As opposed to the Lone Wanderer from the last game, you play as the Courier, a deliveryman on his way to deliver a platinum poker chip who's captured, shot in the head and left to die in a shallow grave. After being rescued by a robot cowboy named Victor and patched up by the friendly Doc Mitchel, you set out on a journey to recover the package and get revenge.
The greatest change from "New Vegas" predecessor is the atmosphere of the game. As opposed to the wasteland-saving storyline of "Fallout 3," "New Vegas" plot is just the story of a person out for revenge, reminiscent of many of spaghetti westerns. In fact, a lot of the stuff in the game is reminiscent of movies like The Good, the Bad, and the Ugly and 3:10 to Yuma. Gunslingers and cowboys replace raiders and scavengers and the stark, grey skies of "Fallout 3's" D.C. ruins are replaced by sunny, almost peaceful stretches of desert. A lot of buildings are intact and the people are a lot less bitter and stressed out.
Along the way, you can choose to either side with the New California Republic, a group of lawmen and soldiers who want to bring order to the Mojave desert, or Caesar's Legion, slave drivers who take their practices from the Roman Empire, though it's more Caesar's Palace Casino than Chariots of Fire, with legionnaires in football pads led by Emperor Caesar (pronounced Kay-sar), both of which want control of the Hoover Dam, and the energy it provides for the populace.
Character interaction is also emphasized, with Reputation taking the place of Karma. Whenever you finish a quest or simply attack the wrong person, in addition to gaining karma, you have a chance to gain fame or infamy with a certain organization, such as small towns or even entire governments.
Notable gameplay changes include the addition of iron sights to weapons, so free aiming has come a long way from the pseudo-zoom-in present in Fallout 3. There is also a brand new Hardcore Mode.
Hardcore Mode is for the dedicated Fallout players, as sleeping, eating and drinking are all required, and the player can only heal themselves with help of a doctor or with the right skills. Companions can also be ordered around now, with a new Companion Wheel making partner management a lot easier.
"New Vegas," of course, has gambling minigames available for those who are feeling lucky, but if you're too good you'Welcome to the Rileys" Kristen Stewart, her sexuality so bound up in vampire-induced abstinence in the "Twilight" films, makes up for lost time here. In director Jake Scott's film (son of Ridley), she plays Mallory, a 16-year-old New Orleans stripper who dabbles in prostitution. Visiting businessman Doug Riley (James Gandolfini) stumbles upon her. Still hurting from the death of his 15-year-old daughter with his wife Lois (Melissa Leo), he plays father and reformer to Mallory. The scenes between them are the best parts of the film. With a believable and not overstated Southern accent, the always excellent Gandolfini is a lovable lug. Stewart, in what may be her best performance yet, warms to his caring while vacillating between hard rage. But when Lois arrives, she upsets their wonderful dynamic, and the movie's final third loses its equilibrium. The fine acting and Scott's slow, natural build hides the film's outlandish underpinnings. The save-the-prostitute-with-a-golden-heart cliche treads too obviously. 110 minutes. Two and a half stars out of four.
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