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Australian Aboriginal Fibrecraft

Australian Aboriginal Fibrecraft

Bark

Baskets were often made from twisted bark fibres

Bark was used by many people across the continent. This technology is still used today to produce baskets, which are particularly popular in the tourism industry. Kurrajong bark is a popular bark, as is the bark of river wattles, sand figs, banyans, burney vines and peanut trees.

In the north, the more tightly woven styles were made, whereas in the south, a looser stringed bag, popularly known as a dilly bag was made.Australian Aboriginal Fibrecraft


Hair

Hairstring was an important textile traditionally made by Australian Aborigines.

People, particularly the women, cut their pubic hair regularly using quartz or flint knives. This hair was never wasted. It was rolled on the thigh and then spun into long threads of yarn. It was then plaited to about the thickness of 8 ply wool.

Purposes for the string were manifold. These included making the head ring for resting the coolamon, headbands to keep the hair off the face, spear-making (securing the head to the shaft), and even balls for ball games.

A general-purpose belt was made of the string, from which things could be hung, such as small game like goannas in order to free the hands on long walks and hunts.

Aboriginal dancers wearing a more modern version of this covering, performing at Nambassa in New Zealand- 1981

Among some groups, including the Pitjantjajara, a small modesty apron was made of the string for young girls to wear when they reached puberty. People in Central Australia today may talk of a girl having her "string broken", which can mean sexual abuse, or having sex when she is not ready.

Among some tribes, adults wore a loincloth-like pubic covering, which also hung from the waist belt. This was made either of the string itself, or of other material, including paperbark. In the Kimberley region of Western Australia, the men wore pearl shells as a pubic covering, which they call Riji, and which are considered extremely sacred.

The string could be died various shades using dyes such as ochre.

Some string was only worn for ceremony, such as skirts worn by the women.

String games

Cat's Cradle

Many Aboriginal groups traditionally made many shapes out of the string (cat's cradle). A researcher once watched and photographed a young Aboriginal woman from Yirrkala make over 200 separate string figures. Each one involved complicated movements of her fingers and thumbs. She was able to remember the correct sequence of finger movements for nearly every figure she made, with only an occasional mistake which she quickly corrected. As she made each figure she gave it a name. Some examples included dangurang a lobster, bapa lightning, matjur an ibis flying into a tree and gapu the ripples on a pool.

The Bangarra Dance Theatre's 2005 production of CLAN incorporated traditional desert string games into one of their performances, creating intricate patterns as they thread themselves through long, elastic strings.,

Grasses

Grasses were combined with the hair to create a tougher fibre. This varied depending on the area in Australia. In the arid areas, it was spinifex, whereas in the Top End, it was palms such as pandanus.

Pandanus and sand-palm are used in areas such as the Daly River region and Arnhem Land to weave carry baskets, dilly string bags, wall hangings, floor mats and fish-nets. The women of Peppimenarti and Oenpelli are famous for such weaving, however each community has their own distinct styles and techniques.

External references

^ ABC Radio National Interview with anthropologist Diane Bell

^ Aboriginal Lonka Lonka Pearl Shell Pendant, Pubic Covers From Kimberly (Tribalmania.Com)

^ Aboriginal Technology: Fibrecraft, Barlow, Alex, 1994, Macmillan Education Pty Ltd, p 6.

^ Bangarra Dance Theatre: Clan

^ Graceful spin on a life's web - Arts - www.smh.com.au

Australian Aboriginal Anthropology

Arrernte Dictionary

Aboriginal Art Circular

Alice Nampitjimpa artwork

man making hairstring

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Indigenous Australians

Peoples

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People

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Culture

Dreaming Dreamtime Mythology

Deities Kinship Avoidance Seasons Enumeration Marn grook Kurdaitcha Astronomy Songlines Message stick The Deadlys NAIDOC Torres Strait Islands Bora Outstation movement Riji Tjurunga Smoking ceremony

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Bushcraft

Bushfood Bush medicine Bush bread Fibrecraft Soaks Shelter Possum-skin cloak Buka Food groups Sweet foods Fire-stick farming Woomera Boomerang Coolamon Waddy Spinifex resin

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Stolen Generations Land rights Petrol sniffing Royal Commission into Aboriginal Deaths in Custody Media portrayal Northern Territory National Emergency Response

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Textile arts

Fundamentals:

Applique Crochet Dyeing Embroidery Fabric (textiles) Felting Fiber Knitting Lace Nlebinding Needlework Patchwork Passementerie Plying Quilting Rope Sewing Spinning Tapestry Textile printing Weaving Yarn

History of...:

Clothing and textiles Silk Quilting Textiles in the Industrial Revolution Timeline of textile technology

Regional and ethnic:

Andean Australian Aboriginal Hmong Korean Mori

Related:Australian Aboriginal Fibrecraft


Blocking Fiber art Mathematics and fiber arts Manufacturing

Preservation Terminology Textile industry Textile Museums Units of measurement Wearable fiber art

Categories: Australian Aboriginal clothing | Australian Aboriginal bushcraft | Textile arts | Animal hair products

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Australian Aboriginal Fibrecraft