Wholesale fashion garments
Author: emfex
Author: emfex
Most indian sarees are five to six yards long. Saris are woven with one plain end (the end that is concealed inside the wrap), two long decorative borders running the length of the sari, and a one to three foot section at the other end which continues and elaborates the length-wise decoration. This end is called the pallu; it is the part thrown over the shoulder in the Nivi style of draping. It is one of the most visible sections of the sari and is woven and decorated "for show".
More expensive saris had elaborate geometric, floral, or figurative ornament created on the loom, as part of the fabric. Sometimes warp and weft threads were tie-dyed and then woven, creating gorgeous bridal baluchari patterns. Sometimes threads of different colors were woven into the base fabric in patterns an ornamented border, an elaborate pallu, and often, small repeated accents in the cloth itself on various qualities of silk, cotton, georgette, chiffon etc. These accents are called buttis or bhutties (spellings vary). For fancy saris, these patterns could be woven with gold or silver thread, which is called zari work. Modern zari work is usually executed with glittering synthetic fibers rather than real gold or silver thread (made by wrapping gold or silver around a base thread).
Sometimes the saris were further decorated, after weaving, with various sorts of embroidered works. Resham, zari or zardousi work is embroidery done with colored silk, golden, copper or silver thread for gorgeous bridal or wedding sarees or dulhan saris. Zardozi embroidery uses gold and silver thread and sometimes pearls and non-precious stones. Cheap modern versions of zardozi use synthetic metallic thread and imitation stones, such as fake pearls, sequin beads and Swarovski crystals.
The word 'sari' is believed to derive from the Sanskrit word 'sati', which means strip of cloth. This evolved into the Prakrit 'sadi' and the sound later decayed into 'sari'.
Some versions of the history of Indian clothing trace the sari back to the Indus valley civilization, which flourished in 2800-1800 BCE. One ancient statue shows a man in a draped robe which some sari researchers believe to be a precursor of the sari.
Ancient Tamil poetry, such as the Silappadhikaram and the Kadambari by Banabhatta, describes women in exquisite drapery. This drapery is believed to be a sari. In the Natya Shastra (an ancient Indian treatise describing ancient dance and costumes), the navel of the Supreme Being is considered to be the source of life and creativity. Hence the stomach of the dancer is to be left unconcealed, which some take to indicate the wearing of a sari.
Odissi dancer wearing a fishtail wrap.Some costume historians believe that the men's dhoti, which is the oldest Indian draped garment, is the forerunner of the sari. They say that until the 14th century, the dhoti was worn by both men and women.
Sculptures from the Gandhara, Mathura and Gupta schools (1st-6th century CE) show goddesses and dancers wearing what appears to be a dhoti wrap, in the "fishtail" version which covers the legs loosely and then flows into a long, decorative drape in front of the legs [1]. No bodices are shown.
Other sources say that everyday costume consisted of a dhoti or lungi (sarong), combined with a breast band and a veil or wrap that could be used to cover the upper body or head. Some argue that the two-piece Kerala mundum neryathum (mundu in malayalam is the same as dhoti or sarong and neryath means a cloth to cover the upper body similar to a shawl) is a survival of ancient Indian clothing styles, and that the one-piece sari is a modern innovation, created by combining the two pieces of the mundum neryathum.
It is generally accepted that wrapped sari-like garments, shawls, and veils have been worn by Indian women for a long time, and that they have been worn in their current form for hundreds of years.
It is possible that the researchers arguing for a recent origin for the choli and the petticoat are extrapolating from South India, where it is indeed documented that in some areas, women wore only the sari and exposed the upper part of the body. Poetic references from works like Shilappadikaram indicate that during the sangam period in ancient South India, a single piece of clothing served as both lower garment and head covering, leaving the bosom and midriff completely uncovered. In Kerala there are many references to women being topless, including many pitcures by Raja Ravi Varma. Even today, women in some rural areas do not wear cholis.About the Author:
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