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To check out the trailer, hit the jump. The Tourist also stars Paul Bettany, former Agent 007 Timothy Dalton, and Rufus Sewell. It hits theaters on December 10th.
I'm not a big traveler. Staying close to home is just easier, more relaxing and familiar. Because every time I travel overseas, I mean every single time, I happen to run into some uber-hot chick who not only wants to get with me, but is also somehow tied up in a shady, underworld scheme involving money, guns, gangsters and intrigue. It's just exhausting, so I just choose to stick to my couch.
In The Tourist, director Florian Henckel von Donnersmark (Imagine taking standardized tests with that name. The bubble-filling would have been a torture session.) tells a story I'm all too familiar with. Johnny Depp is a guy heading to Italy only to get tied up with Angelina Jolie as she attempts to undermine a criminal ex-lover with Depp as a decoy. I feel you Johnny. I really do.
This flick has the kind of stylish backdrop, witty dialogue, topsy-turvy story and headline stars that critics just love. Even though Donnersmark has a short resume (read: one film and some award-winning short films), his second full-fledged feature looks to be the goods.
Q: The fact that the three of you have made eight movies together in ten years and worked together for so long, how hard is it to keep things fresh?
Watson: That is definitely the hardest thing. The cool thing about this movie is that because we shot two back-to-back, there was this momentum that we picked up and there was this kind of chaos to flitting back and forth between two different movies, and we were trying to get so much done that we didn't have any option than to be fast and be on top of it. The pace picked up a notch, which really helped us as actors, because when it's that slow, it's very hard to give a fresh performance. When you've sat in the trailer for three hours, it's tough.
Q: I heard that you had more time to make the movie so if you had a tougher scene, you'd have more time and could do another take the next day.
Watson: It's wonderful that on "Potter," we had that kind of flexibility. Pretty much, such a huge part of the filming was done at Leavesden, so it wasn't like, "Okay, guys, we won't be at the set tomorrow. We have to get this done." Those sets were around, so we did have the option to get it right. That was a luxury I guess.
Q: There are a lot of nice subtle moments in your performance. Was there more opportunity to have more freedom on how you express yourself?
Watson: Definitely, and I just had such a bigger role. It gave me such a better chance to really develop it and get into it, and I just felt like I had so much more room to give it a bit more. I had some really challenging stuff to do, which gave me a chance to show what I can do, which was lovely as well.
Q: Can you talk about working with David Yates and tackling some of that more challenging material?
Watson: He was very good. He's very calm, which is great for me, because there are days when I just panicked, I mean really just "David, I don't know how to do this!" I didn't know how to act I've never been tortured before, I have no idea how to pull that off. I have no idea what it feels like to see your friend bleeding to death in your arms. There was some really hard stuff to do, like what it's like to erase your parents' memories and walk out the door. I think for me, I have quite an academic, like a heady approach I guess to the way that I act, and us just talking through what it meant, what does it mean for her? How does it relate to her past? What does she think about this? Having the time to be very clear in my head about what exactly everything was allowed me to give a really good performance. He's very patient, which is so nice. I never felt like I was being hurried, so that was nice. He's very good like that, he's very gentle.
Q: We've talked to others about the first film and how it was for Chris Columbus to direct kids. Can you talk about evolving into more of an acting approach and some of the lessons you've learned from all the great directors who've stepped in and specific things you picked up along the way?
Watson: Well, it's interesting. I think working with different directors have signaled different Alfonso wasn't going to do any of the "kiddie directing" stuff. He was like, "Get up there and do it." He didn't have much patience for "Eyes wide, look terrified!" He wasn't going to do any of that, so he made us step up and then Mike Newell again, and then David Yates. It worked like that I think.
Q: David mentioned the scene with your parents and that more was filmed that didn't make it into the movie.
Watson: Oh, yeah, it got cut. Well, it wasn't actually with me in the scene. It was just with them having a conversation about what they were watching on TV, but it wasn't anything that I was in.
Q: Over the course of the 8 movies, you've worked with some amazing actors like Alan Rickman, Robbie Coltrane and Michael Gambon. Was there anyone you realized when you weren't going to do any more scenes with them that got you upset and that you miss working with them?
Watson: A lot of them. I miss working with Emma Thompson, she was a real fave. She's lovely and very interesting and I got on really well with her.
Q: Are you acclimatized to life post-Potter?
Watson: I go through periods where it feels fine, easy, and I'm busy at school, and there are days when I feel really lost, because it was just so structured and I had people telling me where I needed to be, what they wanted me to do. My whole life was on a schedule, on a call sheet, every day, and being at university, you decide when you eat, where you go, if you work, if you don't. No one cares and it's all down to you, so yeah, I had days where I feel "Oof" but it was always going to be an adjustment and I feel lucky that I kept going with school and that I have that kind of infrastructure to fall back on. I dunno. It feels nice to be able to take a bit of a break. I don't know how Dan's doing it to be honest, because making these two films back to back was exhausting, I mean really exhausting. I was hanging in rags when we finished shooting, so I don't know how Dan is doing it. He's kind of amazingly energetic.
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